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Andreas Fogarasi
Cité de Refuge, 2008
Graphite on paper
210 x 400 cm
unique artwork
Frac Pays de la Loire
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Andreas Fogarasi
Cité de Refuge - Mur du souvenir, 2008
Graphite on paper
210 x 300 cm
unique artwork
Encadré par Brigitte Mahon
De Facto
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Andreas Fogarasi
Untitled, 2008
Graphite on paper
78 x 108 cm
unique artwork
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Andreas Fogarasi
Cities, 2008
pencil on paper, series of 12 drawings
27,9 x 21,6 cm chaque
unique artwork
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Andreas Fogarasi
Vasarely Go Home, 2011
Video, Full HD, 60 min. 6 structures en marbre avec photographies, ca. 148,5 x 110 x 36 cm 7 photographies collées au mur, ca. 30 x 45 cm chaque Photographies : Vernissage de l'exposition de Victor Vasarely, Mucsarnok, Budapest, 18 octobre 1969 (© MTI/Géza Szebellédi (2 x), Captures d'écran de Anna Herskó ? Vasarely/ Archives Nationales du Film de Hongrie (7 x), Demeter Balla (3 x)); Victor Vasarely : Cité polychrome (années 70)
Installation dimensions variables
unique artwork
Produit par le Museo Reina Sofia
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Andreas Fogarasi
La cité polychrome du bonheur / La ciudad de color, 2011
4 structures en marbre (sur 7) avec photographies, ca. 3 photographies collées au mur, ca. Photographies: Pots de fleur, Paseo de la Castellana, Madrid (2011) Maquette du Centre d'Art Contemporain de Cordoue (architectes : Nieto Sobejano), Madrid (2011) Nyugati square, Budapest (2011) Monument pour l'écrivain Ivan Cankar (architectes : Franc Rihtar et Edvard Ravnikar), Ljubljana (2011) Secrétariat d'Etat au Tourisme, Paris (2003) Oeuvres de Vict
148,5 x 110 x 36 cm chaque, photographies : 30 x 45 cm chaque
unique artwork
Prix sur demande
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Andreas Fogarasi
NY, NY (after Herb Lubalin), 2008
MDF, white painting
9 elements, variable dimension
unique artwork
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Andreas Fogarasi
Placemark (Emperador), 2008
marble, steel
100 x 70 x 10 cm
unique artwork
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Andreas Fogarasi
Constructing / Dismantling, 2010
3-channel video, Full HD
part 1: 3:40 min., part 2+3: 8:35 min. each
Edition of 5 + 2 AP
Biography
Preoccupied by representations of place, power and identity in public space.
Andreas Fogarasi's work comments the dissimulated way by which the State defines and regulates behaviour within its borders. His critical process imposes a discourse that peels away the layers of convention and pre-conceived ideas that surround his subject, at which point he can then re-build, re-assemble, associate and repeat, to a point where his minimalist works quietly question our surroundings and behavioural patterns, leading us to the inevitable question of civil liberties. Through his work, Andreas Fogarasi observes the city and its codes of representation. His projects are witness of the interest he has in the collective and utopic dimension of architecture, and its sometimes authoritarian characteristics. He also comments the appropriation of these areas and symbols by the people. It is a critical look at modernism and politics of the masses.
Born in Austria in 1977, Andreas Fogarasi lives and works in Vienna. After studying architecture, he decided to further his studies at the Fine Art School in Vienna fallowing a residency at the Pavillon, Palais de Tokyo during 2002-2003. He participated at Manifesta in Frankfurt in 2002, then went on to win the Golden Lion award at the Venice Biennale in 2007 for the best National Representation with his project Kultur und Freizeit in the Hungarian Pavillon.

